‘For me, I AM AI was less about the nefarious creep of technology and potential negative impacts of generative artificial intelligence than it was about a very realized, widespread hardship that is already well-proliferated today: the near-inescapable compulsion to sacrifice our innate desires and personal ambitions in the name of financial prosperity or security.’

‘Episode Thirteen is the story of a cable network ghost hunting show that lifts its plot outline and setpieces from found footage horror films, then presents the result of this as a distinctly engaging and surprisingly original horror novel. It’s quite a feat, taking two widely derided horror property staples and reimagining them as something that mutes the most common criticisms of its components. Frankly, I’m surprised to find that more writers haven’t made a tilt at this particular windmill, as it now feels like a very promising course after seeing what DiLouie has done here.’

‘Jiang has done something truly masterful here in that she leaves just enough blank space on the pages, and just enough secrets in the novella, for the curious reader to seek layers of meaning which may have not been intended or expected. This is a line only the best authors can walk, and it imbues their fiction with a timelessness and sense of resonance that many readers will find affecting, and the right reader might just call perfect.’