In All the Fiends of Hell, Nevill launches his horror show on page one, spending little time on the events that preceded the apocalypse in either reference or return. The new world is ominous and still, and those that dwell in it are ill-equipped to parse the mysterious dangers that confront them. Nevill's hallmarks are here: the steady, introspective, reflective nature of his protagonist; the immutable and almost incomprehensible creatures that defy ready visualization; the escalating helplessness of those pitted against them…

The Rain Artist excels in juxtaposing a horrific vision of the future with instances of resonant beauty that serve to keep the story interesting and showcase the author’s impressive and instinctive understanding of human experience. The writing is strong enough to outpace the imperfect plot, effectively drawing the reader into its unique perspective until the world of The Rain Artist feels dangerously close to our own.