At the end of the day, Terrifier 3 isn’t trying to reinvent the slasher genre—it’s here to elevate it and inject some much needed life. This is horror for horror’s sake, and that’s something worth celebrating. It’s here to give the audience a relentless parade of grotesque killings, absurd moments of dark humor, and a villain who has earned his place as one most critical modern icons. If you’ve been following Art’s bloody rise to infamy, this third installment will only solidify his place as one of the most sinister characters in the horror pantheon.

This film sticks with you, crawling under your skin in a way that few horror movies manage these days. It’s unsettling, emotional, and refuses to hand out easy answers. If you’re looking for a film that dives headfirst into the darkness—both literal and emotional—Oddity is worth your time. Just don’t blame me if you find yourself side-eyeing every antique store mannequin from now on.

‘This was a genius idea from conception and it came together at the right time. Animatronic toys were creepy as hell before anyone put a serial killer’s soul inside, and there are few things more quintessentially 80s than watching a struggling single mother sacrifice her financial and bodily security in order to chase the materialistic flotsam of the popular culture by buying a toy doll from a homeless man in an alley.’

‘the setup engineered in The Outwaters is among the most memorable and unique because it’s shot with something that is increasingly ignored in the wider genre: patience.’

‘Skinamarink is a triumph of cinematic intent, and an unshakably brilliant exploration of childhood fear and isolation. Both the camerawork and the sound design add a layer of sensory engagement that takes the film to another level and make it a unique piece of filmcraft that, regardless of whether or not you ultimately like it, succeeds.’