Film Review: Horror Stories (2024)
Horror Stories is exactly what you want from a project like this–despite production limitations and other recognizable constraints, it does an excellent job of working with the available tools. Any criticisms you could lob at it–corny premise, limited originality, etc.--kind of fall silent as the collection simply does so many things above films in the same class. I want to see more from everyone involved with Horror Stories.
The Seductress From Hell (2025)
The Seductress From Hell delivers a worthwhile watch for those seeking a solid, if limited, horror film. You’ll have to get past some awkward dialogue and meandering character work, but it's worth the journey. Coupled with an excellent score and some eye-catching set and costume design, there’s a lot here to indicate that what comes next both from Rocio Scotto and young director Andrew de Burgh may be worth paying attention to.
Film Review: Dashcam (2021)
We’re not inspired to feel sympathy for her, there are no sweeping intellectual forays into her beliefs. She’s a loud, absurdist goon, probably someone with a lot of hurt in their past who fell into the stupid pool and never got what she needed to swim to shore.